
Grace creates work driven by instinct and a resistance to perfection. Working at scale with saturated color and physical gesture, she builds surfaces where spontaneity meets structure and chaos resolves into form. Moments of realism surface and recede, subtly shifting the balance.
Her practice engages tension, ambiguity, and the unstable ground between what is felt and what can be articulated. Each work becomes a site where experience resists resolution, an attempt to leave something exact behind.

When not in the studio, she builds around the house, tends the garden, cooks a dangerously good Malaysian curry, and negotiates with her two assistants—who insist canvases and salvaged wood are rawhide.